There are dramatic storm clouds moving over the Texas state Capitol on a quiet Sunday morning in Austin. A few blocks away, Shia LaBeouf is on a sixth-floor patio overlooking the historic landmark.More | Talk | Read It Later | Share
Fascinating and frequently compelling, “The Mustang” is a hybrid, the unlikely combination of genres you wouldn’t think go together but are able to coexist thanks to an exceptional leading performance.More | Talk | Read It Later | Share
For anyone still unclear on the particular charms of the South by Southwest Film Festival, Saturday night’s world premiere of Jonathan Levine’s “Long Shot” seemed specially designed to make that all very clear.More | Talk | Read It Later | Share
Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies. I am currently in Austin, Texas, for the South by Southwest Film Festival, which remains a premiere showcase for offbeat commercial films and for the discovery of fresh talents.More | Talk | Read It Later | Share
The brown-skinned woman with jet-black hair braided into pigtails arrives at a train station near her rural pueblo of San José de los Burros. She dons a brightly colored blouse and a long, multilayered skirt.More | Talk | Read It Later | Share
She’s divorced, in her 50s, works a nondescript office job and likes belting out power ballads while stuck in L.A. traffic. She could be your mom, your sister or the lady behind you at the grocery store.More | Talk | Read It Later | Share
“Hotel by the River” is the latest movie from the South Korean filmmaker Hong Sang-soo, which means that the viewer can bring to the experience a number of assumptions. The first is that it will probably not be this year’s only new offering written and directed by Hong, a restless and productive...
More | Talk | Read It Later | ShareTwo pops, a fizz, and a shower of hot pink sparks light up the sky; this DIY flare gun firework commemorates a relationship at its apex, before it all comes crashing down — the friendship between Franky (Josh Wiggins) and Ballas (Darren Mann), inseparable best friends bonded through history, proximity...
More | Talk | Read It Later | SharePhysics and philosophy collide in “I’m Not Here,” a dour drama that lacks depth despite all its good intentions. Michelle Schumacher directs her Oscar-winning husband, J.K.
More | Talk | Read It Later | ShareSavannah Bloch takes a frustratingly roundabout way to tell a poignant story in her directorial debut, the queer romantic drama “And Then There Was Eve.” For all intents and purposes, we think we’re watching a film about a woman, Alyssa (Tania Nolan), grieving the loss of her husband, Kevin, and...
More | Talk | Read It Later | ShareWhen Cole Sprouse left Hollywood, he didn’t think he’d ever come back. He was 18, and he’d been acting alongside his identical twin brother since they were in diapers. The choice to work as a kid had not been his own: His single mother wanted to be around for the boys and have a steady career,...
More | Talk | Read It Later | ShareDuring what might be considered prime performing years, Laure de Clermont-Tonnerre has gone from actrice to auteur. She racked up 15 film acting credits from 2007-2016, including working with Luc Besson, Julian Schnabel and Raoul Ruiz, despite time taken out for nonperforming pursuits.More | Talk | Read It Later | Share
That frazzled mom leaning over her toddler, identifying characters and purveying snacks during a “Captain Marvel” showing in Torrance on Friday night? That was me. I took my 2-year-old daughter, whom I’ll simply call E, to see the latest Marvel blockbuster on opening night.More | Talk | Read It Later | Share
At the beginning of “Us,” Jordan Peele’s latest assault on your nerves and expectations, we learn that thousands of miles of empty tunnels — abandoned train routes, mine shafts and the like — run beneath the continental United States.More | Talk | Read It Later | Share
A refugee’s life is one of lies, documents, betrayals, fear, fleeting tenderness and the desperate need, once everything has been stripped away, for reinvention across the borders of foreign lands.More | Talk | Read It Later | Share
For years, starting with 2000’s “X-Men” and ramping up with Marvel Studios’ 2012 juggernaut “The Avengers,” comic book do-gooder team-ups have been all the rage on the big screen. Why have just one hero, the thinking goes, when you can have two (“Batman v Superman”) or six (“Justice League”) —...
More | Talk | Read It Later | ShareIt's a rare phenomenon for a director to remake their own movie, but this year, there are already two instances of filmmakers retrofitting their foreign-language darlings for American audiences. Hans Petter Moland turned his Scandinavian thriller “In Order of Disappearance” into the Liam Neeson...
More | Talk | Read It Later | ShareBuilding on months of critical buzz, Mindy Kaling’s “Late Night” unveiled its first trailer on Thursday, further proof of her transformation from TV sensation into a creative force on the big screen, both in front of and behind the camera.More | Talk | Read It Later | Share
A work of unsparing toughness, moral acuity and bristling style, “A Prophet” (2009) put the French director Jacques Audiard squarely on the international map a decade ago. Winner of the Grand Prix at Cannes and an Oscar nominee for best foreign-language film, this absorbing, thrillingly intricate...
More | Talk | Read It Later | ShareThere’s much to explore and dissect about the intriguing world that directors Michael Palmieri and Donal Mosher spotlight in their documentary “The Gospel of Eureka,” but the film, strangely flabby at just 73 minutes, leaves us wanting.More | Talk | Read It Later | Share
The highly anticipated live-action trailer of “Aladdin” has swept in. On Tuesday, Disney unveiled the first full-length trailer of the upcoming film directed by Guy Ritchie, and it features some of the original movie’s most unforgettable scenes.More | Talk | Read It Later | Share
Following the world premiere of Jordan Peele’s “Us” on Friday night at the SXSW Film Festival, the consensus response seemed to involve two somewhat conflicting impulses. One was to talk about the film.More | Talk | Read It Later | Share
In first place, Disney's highly anticipated "Captain Marvel" premiered with $153 million, the biggest opening weekend of 2019 so far, according to estimates from measurement firm Comscore. The film also performed well overseas with $302 million, for a total of $455 million.More | Talk | Read It Later | Share
“You guys ready?” Jordan Peele asked this of the packed house at Austin’s Paramount Theater ahead of Friday night’s world premiere screening of “Us,” his new film as writer-producer-director and the opening night selection of the South By Southwest Film Festival.More | Talk | Read It Later | Share
Despite sharing scenes in “Captain Marvel” with veterans including Annette Bening, Ben Mendelsohn and Samuel L. Jackson, up-and-coming actress Lashana Lynch says she learned the most working with Reggie, the star among the four cats who plays the blockbuster’s breakout scene-stealer Goose.More | Talk | Read It Later | Share
In the opening shot of “The Heiresses,” a sharply detailed first feature from Paraguayan writer-director Marcelo Martinessi, the camera peers through a doorway into a shadowy dining room. Much later, it will stare meaningfully down a driveway that leads out into the brighter world beyond.More | Talk | Read It Later | Share
Having already established itself as a home for rowdy comedies, the South by Southwest Film Festival is now looking to lay claim as a destination for heady scares. Last year’s opening-night film, John Krasinski’s alien-invasion family drama fright fest “A Quiet Place,” played to a riotous response...
More | Talk | Read It Later | Share'Lady J' Anyone who loves “Dangerous Liaisons” — in any of its iterations — should rush to cue up “Lady J,” a period romance with a similarly wicked sense of comic melodrama.More | Talk | Read It Later | Share
The idea that death may not exactly be “the end” for those who meet their maker — particularly in untimely ways — is certainly a hopeful thought. But the muddled, unevenly performed fantasy-drama “We Are Boats” (are we really?) doesn’t make a very convincing case for it.More | Talk | Read It Later | Share
Print pages are the star of the Oren Rudavsky’s documentary “Joseph Pulitzer: Voice of the People”: aesthetically striking illustrated color spreads and word-clogged pages from the legendary newsman’s groundbreaking paper the World, which transformed journalism at the turn of the 20th century.More | Talk | Read It Later | Share