In the opening shot of “The Heiresses,” a sharply detailed first feature from Paraguayan writer-director Marcelo Martinessi, the camera peers through a doorway into a shadowy dining room. Much later, it will stare meaningfully down a driveway that leads out into the brighter world beyond. The contrast...
Comment on Review: ‘The Heiresses’ is a perceptive study of class, sexuality and personal awakening
Justin Chang, Los Angeles Times: Movie
Thu, 03/07/2019 - 2:45pm
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