Amy Nicholson | (TNS) Los Angeles Times Maria Callas seized fame as the voice of Tosca, Medea and Carmen, opera’s eternally doomed heroines. If opera still commands audiences a century from now, perhaps it will sing of Callas, a fighter who survived the Nazi occupation of Greece, a heckling at La Scala, a media hazing on multiple continents and a humiliating public affair only to be hobbled by her own coping tools: sedatives and starvation. “Maria,” starring Angelina Jolie, is director Pablo Larraín’s latest effort to build his own canon of 20th-century tragediennes.

BING NEWS:
  • Review: Angelina Jolie glides through 'Maria' like an iceberg, but a chilly Callas isn't enough
    While the glamorous role of a declining opera diva would seem perfect for a star of Jolie's profile, it's undernourished by the screenplay's limited conception.
    11/27/2024 - 12:51 pm | View Link
  • Movie Review: Angelina Jolie is graceful and sharp as opera star Maria Callas in ‘Maria’
    Angelina Jolie glides through the final days of Maria Callas in Pablo Larraín’s “Maria." Currently playing in select theaters and streaming on Netflix Dec. 11, “Maria," rated R, plays like an opera, ...
    11/27/2024 - 3:54 am | View Link
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