Amy Nicholson | (TNS) Los Angeles Times Maria Callas seized fame as the voice of Tosca, Medea and Carmen, opera’s eternally doomed heroines. If opera still commands audiences a century from now, perhaps it will sing of Callas, a fighter who survived the Nazi occupation of Greece, a heckling at La Scala, a media hazing on multiple continents and a humiliating public affair only to be hobbled by her own coping tools: sedatives and starvation. “Maria,” starring Angelina Jolie, is director Pablo Larraín’s latest effort to build his own canon of 20th-century tragediennes.
Comment on Review: Angelina Jolie glides through ‘Maria’ like an iceberg, but a chilly Callas isn’t enough
Tribune News Service, South Florida Sun-Sentinel
Wed, 12/04/2024 - 1:40pm
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