Aziz Ansari’s new series Master of None, was only released on Netflix last week, but in its short public life it has already become a flashpoint for debates around race on TV. The reaction to the ten-episode romantic comedy has been far more complicated than the show’s logline might suggest; though specific episodes explore the experiences of children of immigrants and the state of representation on TV, the show’s seasonlong arc is “about” dating in New York in the early twenty-first century.