Jesse Eisenberg has “very strong opinions on Holocaust cinema.” “I just have a very kind of, let’s say—what’s the word—touchy reaction to the way the Holocaust is presented in films,” he tells me in a video interview. “It’s such an easy thing to evoke sympathy with a Holocaust setting that I feel, almost from a creative perspective, it’s so exploitative when they overdo it.” [time-brightcove not-tgx=”true”] Eisenberg says this knowing very well he recently contributed to this canon—albeit in an atypical way.
How Jesse Eisenberg And Kieran Culkin Made A Different Kind Of Holocaust Movie
Esther Zuckerman, Time: Entertainment
Fri, 11/01/2024 - 4:00am
Topics: when you finish saving succession&rsquo kieran culkin american for read problem with tv&rsquo holocaust obsession culkin s david benji kaplan bosnia world war ii maria covid-19 united states google street view jennifer grey kurt egyiawan daniel oreskes liza sadovy sharpe producer ali herting ewa puszczyńska a24 oscar-winning the zone interest initially nazi oftentimes i ultimately i eisenberg holocaust i i he world real pain a real pain on culkin america poland majdanek david benji polish herting the they felt shoot tour camp day part trauma feel great place house characters room actors wanted approach buddy needed aunt reverence producers set knew character story modern ancestors screenplay
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