Deconstructing Eugene O’Neill’s take on Aeschylus’ “Oresteia” cycle, Target Margin mostly strips the stage and places the audience at a remove.
Comment on Review: In ‘Drunken With What,’ a Streamlined ‘Mourning Becomes Electra’
ALEXIS SOLOSKI, NY Times: Theater
Mon, 02/15/2016 - 5:26pm
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