Deconstructing Eugene O’Neill’s take on Aeschylus’ “Oresteia” cycle, Target Margin mostly strips the stage and places the audience at a remove.
ALEXIS SOLOSKI, NY Times: Theater
Mon, 02/15/2016 - 5:26pm
Deconstructing Eugene O’Neill’s take on Aeschylus’ “Oresteia” cycle, Target Margin mostly strips the stage and places the audience at a remove.