As premieres go, it wasn’t exactly promising. When Leonard Bernstein unleashed his sprawling Third Symphony — titled “Kaddish” — on the American public in January 1964, the critics practically trampled one another to get in the first jabs. It wasn’t Bernstein’s music that drew the ridicule — it was the cringe-inducing narration he had written, around which the symphony revolves.
Comment on Samuel Pisar’s ‘Kaddish’: A warning to a world out of control
Stephen Brookes, Washington Post
Fri, 05/27/2011 - 8:31am
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