At this point, some 30 years into M. Night Shyamalan’s career, it’s easy to feel some grudging affection for his movies, even if you’ve historically hated or felt indifferently toward them. They tend to be short. Occasionally the twists are clever. He favors slow-burning suspense over grisliness. He’s a director who cares about what he gives an audience, even if that means he sometimes trips himself up in his eagerness to please. [time-brightcove not-tgx=”true”] Trap isn’t the worst Shyamalan movie; no one would say it’s the best.