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Smarthistory – Alberti’s revolution in painting
Alberti believed that good and praiseworthy paintings need to have convincing three-dimensional space, such as we see in Perugino’s fresco. In the first section of On Painting, he explains how to construct logical, rational space based on mathematical principles.
Trattato dell' arte della pittura, scultura et architetettura
Trattato dell' arte della pittura, scultura et architetettura. Author Giovanni Paolo Lomazzo Italian. 1585. Not on view. Lomazzo, a trained painter, was a notable figure in the intellectual circles of late-sixteenth-century northern Italy.
On Painting | work by Alberti | Britannica
Leon Battista Alberti’s De pictura (Della pittura), a treatise on the theory of painting, as opposed to the techniques of preparing and applying colours, appeared in Florence in 1435–36. The directions that art and art theory were to follow for the next 470 years are already present in…
De Pictura – On Art and Aesthetics
De Pictura. A true Renaissance Man– humanist, priest, author, artist, architect, poet, priest, linguist, philosopher and cryptographer – Leon Battista Alberti (born: 1404, Genoa; died: 1472, Rome) was the first art theorist to write an exposition on the principles of perspective. Departing radically from the conventions of the Middle Ages ...
Metaphysical Painting (Pittura Metafisica)
In modern art, the phrase Metaphysical Painting (in Italian Pittura Metafisica) describes a style of painting developed during the era of World war I by two modern artists, namely Giorgio de Chirico (1888-1978) and Carlo Carra (1881-1966), later joined by the still-life expert Giorgio Morandi (1890-1964).
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