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Bookmark or Share- Self-Portrait as the Allegory of Painting (La Pittura)Self-Portrait as the Allegory of Painting (La Pittura) c.1638-9. RCIN 405551. Artemisia Gentileschi was one of the most successful painters in seventeenth century Italy, when few women artists were formally recognised. She trained with her father, Orazio, and worked in Rome, Florence and Naples. In the late 1630s Gentileschi worked at the court ...
- Self-Portrait as the Allegory of Painting - WikipediaSelf-Portrait as the Allegory of Painting, also known as Autoritratto in veste di Pittura or simply La Pittura, was painted by the Italian Baroque artist Artemisia Gentileschi. The oil-on-canvas painting measures 98.6 by 75.2 centimetres (38.8 in × 29.6 in) and was probably produced during Gentileschi's stay in England between 1638 and 1639.
- Pittura infamante - WikipediaPittura infamante (pronounced [pitˈtuːra iɱfaˈmante]; Italian for "defaming portrait"; plural pitture infamanti) is a genre of defamatory painting and relief, common in Renaissance Italy in city-states in North Italy and Central Italy during the Trecento, Quattrocento, and Cinquecento. [1]
- Pittura - WikipediaLa pittura è l'arte che consiste nell'applicare dei pigmenti a un supporto per lo più bidimensionale, come la carta, la tela, la ceramica, il legno, il vetro, una lastra metallica o una parete. Il risultato è un'immagine che, a seconda delle intenzioni dell'autore, esprime la sua percezione del mondo o una libera associazione di forme o un ...
- Artemisia Gentileschi, - SmarthistoryLa Pittura, known in English as Self-Portrait as the Allegory of Painting, intriguingly presents the features of the artist herself, Artemisia Gentileschi, on a figure styled as an allegorical figure representing the abstract idea of painting. In other words, Artemisia Gentileschi portrayed herself as Painting itself.
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