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Bookmark or Share- A CINEMA OF POETRY: THE FILMS OF PIER PAOLO PASOLINI - ArtforumStill from Pier Paolo Pasolini’s Decameron, 1971, 35 mm, color, sound, 111 minutes.. PIER PAOLO PASOLINI first visited New York City in late 1966, and what he found there surprised him: In the heated context of the antiwar movement and the struggle for civil rights—which he characterized forcefully as a “civil war”—the forty-four-year-old Italian poet and filmmaker rediscovered a ...
- James Quandt on Pasolini’s Mamma Roma (1962) and the musca ... - ArtforumPier Paolo Pasolini, Accattone, 1961, 35 mm, black-and-white, sound, 117 minutes.Accattone (Franco Citti). The fly’s fleeting odyssey through the frame, coincident with Vivaldi’s concerto—a purveyor of putrefaction attended by Baroque splendor—announces, if accidentally, Pasolini’s strategies in Mamma Roma, which repeatedly fuse the sublime and the squalid, the exalted and the debased.
- Bruce LaBruce on his influences and his latest film The VisitorAt the 74th Berlin International Film Festival, the Canadian filmmaker, writer, photographer, and artist Bruce LaBruce premiered his latest film, The Visitor, an epic reimagining and pornification of Pier Paolo Pasolini’s 1968 classic Teorema. To mark the occasion, Artforum.com senior editor Travis Jeppesen sat down with LaBruce in Berlin.
- Bruce LaBruce shares his Top Ten - Artforumpier paolo pasolini’s teorema (1968) My latest movie, The Visitor , enacts a kind of détournement of Pasolini’s film, attempting to stay true to the original’s heart and soul while reconfiguring it in terms of contemporary queer themes and aesthetics.
- A VIOLENT LIFE AND ART AFTER MODERNISM: RETHINKING ... - ArtforumBy Pier Paolo Pasolini, translated from the Italian by William Weaver, New York: Carcanet, 1985 (published in Italy in 1959, and in England in 1968), 320 pp. “I WOULD LIKE TO make it quite clear to the reader,” writes Pier Paolo Pasolini, in a prefatory note to A Violent Life , “that everything he reads in this novel really happened ...
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