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Bookmark or Share- Phantom Thread - Focus FeaturesSet in the glamour of the 1950's post-war London, renowned dressmaker Reynolds Woodcock (Daniel Day-Lewis) and his sister Cyril (Lesley Manville) are at the center of the British fashion, dressing royalty, movie stars, heiresses, socialites, debutants and dames with the distinct style of The House of Woodcock. Women come and go through Woodcock's life until he comes across a young, strong ...
- Phantom Thread (2017) directed by Paul Thomas Anderson - Letterboxdphantom thread posits an impressively fresh take on the older, eccentric male genius with a younger female muse trope, but that’s to be expected from THE paul thomas anderson. it’s a slow-burning fuse with a quietly explosive ending sequence. it’s the kinkiest film to not actually feature any sex scenes. it’s fifty shades of grey for ...
- The Directorial Excellence of Paul Thomas Anderson - Focus FeaturesPaul Thomas Anderson ’s Phantom Thread is already being touted as new masterpiece of cinema. It's an exquisite love story between London dressmaker Reynolds Woodcock (Daniel Day-Lewis) and the young foreigner (Vicky Krieps) he falls for, a romance that has won over the hearts of critics and fans alike.
- After Five Years, Phantom Thread Is Still In Fashion - Focus FeaturesWhen Paul Thomas Anderson 's Phantom Thread opened in theaters on December 25, 2017, it had already made history. It marked the final film of acting legend Daniel Day Lewis , the introduction of a bright new talent, Vicky Krieps , and Anderson’s first feature filmed outside of the United States.
- Phantom Thread’ review by Sethsreviews - LetterboxdIt's so perfectly put together that it's ridiculous. From beginning to end, everything feels completely real. One that, like many of PTA's other works, may be described as a dark comedy. The devil is entirely in the details, and there's so much to see! Reynolds is an obsessed genius with infantile traits, while Alma is always nurturing to earn his attention, a perpetual tug of war to see where ...
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