Indeed, Mommy (not to mention Dolan’s previous film, Laurence Anyways [2012]) merely picks up on a vogue for the Academy ratio that extends from Gus Van Sant’s lo-fi outsider trilogy—Elephant (2003), Last Days (2005), and Paranoid Park (2007)—through more recent films from contemporary cinema’s art-house pantheon: Kelly Reichardt’s ... More @Wikipedia
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