Until the August release of Asya Fateyeva and the Lautten Compagney Berlin’s Dancing Queen: Rameau Meets ABBA (Deutsche Harmonia Mundi), a saxophone-meets-Baroque-ensemble affair, neither Rameau nor ABBA looked to figure large in discussions of the year in music.. Then, in October, ABBA released The Singles: The First 50 Years (Polar), and several weeks later, critic Ted Gioia understandably ... More @Wikipedia
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