For most superheroes, fighting for truth and justice means fighting for the status quo. The typical plot: Supervillain(s) attempts to take over the world and/or steal property; superhero(es) stop them. The journey from disjunction to order is only emphasized by the fact that the heroes are themselves often outsiders in some way.
Grant Morrison's Doom Patrol</em>: The Craziest Superhero Story Ever Told
Noah Berlatsky, The Atlantic
Thu, 04/17/2014 - 5:04am
Topics: if you man twenty-five grant morrison richard case case marvel's x-men the chief british cliff steele robotman doom patrol #19 cliff rebis simian josh tempest african-american scissor men doom patrol s typical brotherhood superman dc saving mr jones danny street dc morrison beard hunter punisher-like sex men named cuddle kiss torture flex mentallo candlemaker but lsd as x-men—his the we man morrison doom patrol chief the doom patrol cliff crazy jane justice league dada pentagon this mr nobody jane superhero story world superheroes painting comic team order stop heroes fighting black marginal stories guys mainstream white comics real normality book tells people fact supervillain status years supervillains good behalf normal point establishment quo members early phantom effort fight fantasies transvestite issue paris shown run marginalized plot number arc turning persecuted dream restored outsiders writer talking issues final part ways arbitrary earlier marginality iron president hair imaginary led series figure corrupt stand rule police doctrinaire presented ugly genius ends child bad question
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