While by no means a perfectly executed film, Funny People has enough strength and heart that justifies the price of admission. Director Judd Apatow may fail in sending viewers home with an altered perspective on comedians or rejuvenated excitement for life, but he succeeds in depicting a conflicted and morose character trying to recapture the funny. I agree with Alex Remington that the movie "is more ambitious and less successful than his previous films, the easy-to-digest and massively popular romantic comedies The 40 Year Old Virgin and Knocked Up." Those films exemplify Apatow at his best, bringing cleverly-articulated, smart and oftentimes vulgar comedy to more serious situations and relationships. Remington, however, contends that "Apatow's mistake in Funny People is going straight for the heartstrings by opening with death." It is clearly a decision that Apatow made to dive right into the darker side of George Simmons' (Adam Sandler) life, rather than sugar-coating it with a montage of scenes that have led up to this introductory moment to the main character. In Virgin, this succeeds in portraying Andy as pathetic, and in Knocked Up, Ben as juvenile.