Comment on ‘Happyend’ Review: Japanese High Schoolers Fight Techno-Fascism in Neo Sora’s Smart and Bittersweet Coming-of-Age Drama

Erivo plays Elphaba in the musical adaptation.

Nanfu Wang's portrait of Rosa María Payá is a contradiction-laden reminder that immigrants fighting for better lives seldom fall neatly along ideological lines.

Exclusive: Directors Matthieu Delaporte and Alexandre de La Patellière condense Dumas' adventure tome into one of the most acclaimed films at Cannes 2024.

Between a podcast network, FAST channels, and the blog Bloody Disgusting, CEO Chris McGurk explains how Cineverse found the perfect alchemy to make the horror sequel a new-age media hit.

Petticrew tells IW about their breakout role on the FX production about the Troubles: "Of course I had reservations. The subject matter is something that's so close to me and my community and there's massive pressure to get it right."

Fully supported by Humphrey Bogart's estate, Kathryn Ferguson's womb-to-tomb documentary is perhaps too authoritative for its own good.