In his latest film, "The 15:17 to Paris," Clint Eastwood has taken his famously no-frills filmmaking further than ever before. Having already dispensed with many of the typical accoutrements of Hollywood filmmaking — lengthy development, a battery of takes, any handwringing at all — he has, with characteristically little anguish, jettisoned actors from the picture, too.
Comment on Review: Eastwood's '15:17' recreates a thwarted attack
By JAKE COYLE, AP Film Writer, Seattle Post-Intelligencer: Movies
Wed, 02/07/2018 - 7:39pm
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