Released the second week in January, and not provided advance screenings for press (I have learned that the journalists sent to conduct interviews were also denied screenings), Babak Najafi's Proud Mary, put out by Screen Gems, is yet another film in a long tradition of studio burial. And while this practice may have some audiences crying foul, it's certainly worth considering that studios only typically do this when they know they have a dud on their hands; there are very few instances where critics are barred from a potentially undiscovered classic.
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