The Austrian director returns to many of his classic themes in a stark, unforgiving and gripping satire on bourgeois Europeans and the people who serve them Related: Napalm review – Claude Lanzmann's gripping account of erotic encounter in North Korea It hardly needs saying that the adjective in the title is about as accurate as the one in Haneke’s Funny Games.
Comment on Happy End review – Michael Haneke's satanic soap opera of pure sociopathy
Peter Bradshaw, Guardian Unlimited: Film
Sun, 05/21/2017 - 2:11pm
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