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The Kyiv-based company Respeecher was also employed by the filmmaking team of "Emilia Pérez."

“I went to see him backstage, and he’s like, ‘You know, you’ve ruined my life… every show, people bring cowbells for the curtain call and bang them. It’s quite disconcerting.'”

Prosthetic designer Arjen Tuiten referenced "The Fly" in designing a post-COVID werewolf for Leigh Whannell's movie.

Of "Avatar: Fire and Ash," the director acknowledges the twists and turns he has planned might make some viewers say, "'Fuck, that's not what I signed up for.'"

"It was incredibly surreal for me."

In the dark shadow of Inauguration Day, sometimes it's okay to let yourself "lib out"