By David Martindale It’s a case of art imitating life imitating art.There’s a scene in The Gods of Guilt, Michael Connelly’s fifth “Lincoln Lawyer” novel, in which defense attorney Mickey Haller leaves the courthouse and climbs into the Town Car idling at the curb.But once inside, Haller discovers he is in the wrong vehicle.He makes the mistake because half a dozen or so of his colleagues, copying what they saw in the Lincoln Lawyer movie, are now conducting business from the back of luxury cars, just like Haller does.“I was both proud and annoyed,” Haller says.