In an already jittery year at the movies, “Take Shelter” arrives like a quiet storm, its masterfully calibrated tale of suspense and incipient terror uncannily attuned to its place and our time. Audiences were treated to a richly imagined story of apocalyptic dread last summer with “Another Earth” (by Georgetown graduates Mike Cahill and Brit Marling), and looming dourly on the horizon are “Martha Marcy May Marlene” and “Melancholia,” movies suffused with similar feelings of doom and burbling panic. Read full article >>