The fallacy of Barbie the doll is that she’s supposed to be both the woman you want to be and your friend, a molded chunk of plastic—in a brocade evening dress, or a doctor’s outfit, or even Jane Goodall’s hyper-practical safari suit—which is also supposed to inspire affection. But when you’re a child, your future self is not a friend—she’s too amorphous for that, and a little too scary.
Topics: goodall&rsquo margot robbie greta gerwig gene kelly-style noah baumbach read life it s that&rsquo robert altman popeye helen mirren stanley kubrick&rsquo sarah greenwood jacqueline durran robbie&rsquo dream houses barbie supreme hari nef dua lipa alexandra shipp issa rae in pictureskayne sharon rooney shipp nef barbieland saran kingsley ben-adir simu liu but as mirren ldquo;but ken weird kate mckinnon gloria america ferrera sasha ariana greenblatt warner entertainment inc all rights reserved ryan gosling will ferrell velveteen rabbit it&rsquo barbie robbie gerwig for mattel&rsquo gosling&rsquo ken mattel court emma mackey bros kens but real world movie point supposed great perfectly pink love dolls played girls baby future she’s moment molded sight day executives jokes money showing job hair morning we’re begun lot impossible cheerfully tells production ideas clever funny shame movie’s face plot boyfriend plastic fun toy warmth advance designer unbidden waffle smile exhausting complexity true vaguely woman flat problems insisted pulled film feminist feet existence doll they’ve beach including feelings smart open there’s you’re bits actors dashing affection early long generally outfit
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