It took one of the most popular Hulk comic book stories ever, Planet Hulk, to make Thor: Ragnarok the most entertaining Thor movie yet. But in a story ostensibly about Ragnarok — the end of Asgard — a crazy subplot set entirely apart from those events and inspired by an entirely different hero’s story really shouldn’t be the best thing about the film, should it? Thor: Ragnarok is as glib and cheeky as the Guardians of the Galaxy movies, and embraces a deliberately ‘80s space opera aesthetic and synth score (composed by Devo’s Mark Mothersbaugh, providing the Marvel Cinematic Universe’s most distinctive original music yet).