Decorations and mementos fill Jerry Haag's office: a giraffe carving from Uganda, a bowl from Tanzania, a warthog sculpture from South Africa. On even more prominent display, though, is a less artistic object: a small sign with the number “1” in white against a black background. For Haag, the “one” isn't an abstraction. In discussing his ethos, he draws upon memories of specific children. He recalls Benito, a 7-year-old boy whose parents brought him to a malnutrition center in Guatemala too late for the staff to save him.