Ryan Hadley, ‘ink Master’ Contestant, Dies At 46

Former model Stacey Williams has alleged that presidential candidate Donald Trump groped her in a 1993 incident at Trump Tower after the late sex offender Jeffrey Epstein introduced them. In an interview with The Guardian and on a Zoom call organized by the group Survivors for Kamala, Williams described how she first met Trump through […]

Powerhouse production and distribution outfit Fremantle and Brazilian public broadcaster Globo are teaming on the new drama “Crime Inc,” which is being developed and produced by Mixer Films and Fremantle. Globo will distribute the show in Brazil via its Globoplay platform, with Fremantle taking rights to the rest of the world.

Industry insiders – and giddy fans – couldn’t hide their excitement about the English-language series “El Turco,” which bowed a first-look trailer at Mipcom. Neither could its protagonist Can Yaman.  “I can’t wait for people to meet him,” said the Turkish star.  In a show based on a true story, Yaman plays an Ottoman Janissary who finds […]

ScreenSkills, the U. K.’s screen industry skills body, has unveiled an ambitious five-year strategy aimed at developing a robust workforce to support the nation’s £13.48 billion ($17.4 billion) screen sector. The organization’s blueprint, which follows recommendations from the Screen Sectors Skills Task Force in 2023, emphasizes data-driven decision making and strategic partnerships with industry heavyweights including […]

U. K.-based Blue Finch Films has acquired worldwide rights to “825 Forest Road,” the latest supernatural horror feature from “Hell House LLC” creator Stephen Cognetti. The deal comes ahead of the film’s festival premiere planned for next year, with Blue Finch set to launch sales at the American Film Market (AFM) next month.

“Conclave,” “The Brutalist” and “Vermiglio” have been added to the main competition lineup for the 32nd edition of the EnergaCamerimage international cinematography film festival, which will be held Nov. 16-23 in Toruń, Poland. Edward Berger’s Vatican thriller “Conclave” was lensed by Stéphane Fontaine, Brady Corbet’s historical drama “The Brutalist” was photographed by Lol Crawley, and […]