In a very minor way, Management attempts to freshen up the moribund romantic comedy genre, toning down the gleeful bounciness and upping the wry strangeness. Unfortunately, the weirdness employed by Stephen Belber's amorous fairy tale is of a decidedly limp, half-hearted sort, as the writer/director seems torn between wanting to make his film legitimately idiosyncratic, and fearing that going too far out on a limb will interfere with his rather traditional meet-cute tale - and alienate said material's formula-craving target audience.