Robert Scott Wildes’ dreamlike desert fable “Poor Boy” opens with a loose, rambling sequence that’s like a cinéma vérité version of “Cops.” It’s funny — a pair of police officers interrogate a pair of debauched brothers and a screaming woman about the case of an allegedly stolen lawn mower — but...
Review: Lou Taylor Pucci Enlivens Wild And Wooly 'poor Boy'
Katie Walsh, Los Angeles Times
Thu, 07/12/2018 - 11:20am
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