Olympics boost Peacock's Q3 revenue, but Comcast loses TV subscribers Peacock grew its third-quarter revenue and narrowed its loss to $436M from a loss of $565M in the year-ago period, but the loss widened a bit compared with the loss of $348M posted for the second ... 10/31/2024 - 5:42 am | View Link
Comcast Books Record $1.91 Billion in Paris Olympics Revenue NBC Sports' coverage of the Paris Summer Olympics served up massive ratings and a profit for parent company Comcast, as the 17-day event generated a record $1.906 billion in incremental revenue. As ... 10/31/2024 - 4:33 am | View Link
Comcast Q3 Earnings: Olympics Power NBCUniversal Gains, Peacock Hits 36M Subscribers, Explores Forming New Company Of Cable Networks Comcast Corp (NASDAQ:CMCSA) reported a third-quarter revenue decline of 6.5% year-over-year to $32.07 billion, beating the analyst consensus estimate of $31.64 billion. The company reported adjusted ... 10/31/2024 - 2:28 am | View Link
Comcast Beats Wall Street Estimates With Record Olympic Ad Revenues Comcast reported healthy third-quarter revenues driven by an increase in ad sales during the Paris Summer Olympics, strong box-office receipts for its films and fewer broadband internet cancellations. 10/31/2024 - 2:23 am | View Link
Peacock Lost $436 Million in the Paris Olympics Quarter Peacock added 3 million subscribers this summer (July 1 to September 30), when it was the streaming home to the Paris Olympics. Simultaneously, the service lost $436 million in the quarter. Peacock ... 10/31/2024 - 2:07 am | View Link
The reviews are wretched. The release seems D. O. A. So before the horror-drama slips into streaming's Great Beyond, let's settle whatever questions we can about what, exactly, is going on in this show.
Tony winner Michael R. Jackson and Anna K. Jacobs tell IndieWire all about their bloody, hilarious NYC stage show based on the cult movie: "I'm not a teen evangelical with teeth in my vagina, but spiritually I am."
The French true crime drama's director also tells IndieWire how "the harder thing is to go from very, very small movies to very big movies in France," whereas it's the opposite in the U. S.