'Paper: An Elegy,' by Ian Sansom Even travelers who check in with an electronic ticket still vomit into a paper bag and repair the damage with a wet wipe (invented in 1915, Sansom's dogged sleuthing reveals). Stone lasts but can't be carried; papyrus is light but brittle and vulnerable to weather; parchment is as expensive as the animals that are skinned to make it. In England, the expense of old clothes was compounded by paper taxes, which served both to finance wars and to limit the circulation of news. Only in the second half of the 19th century did the lifting of those duties combine with steam technology and plant-based raw materials like the eucalyptus, pine and beech that went into the pages of Paper: Neither Sansom's sharp eye for surprising examples nor his offbeat first-person charm should obscure the depth or breadth of his research. Though the whimsy occasionally wears thin (do we really need a paragraph on a paper-boat newsletter titled The world's leading journal of cellulose-based naval architecture?), Paper deserves to be placed on the same shelf (or drive) as Nicholson Baker's 2001 Double Fold: Who knew that Pius VII was crowned pope with the aid of a papier-mache tiara, that Louis XI traveled with his own wallpaper or that Matisse's doctor prescribed him dark glasses to wear while cutting out collages?

 

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