New York Times: Movie

The R-rated thriller was No. 1 in North America with $57 million in ticket sales, by far a series best. Two other new wide-release movies flopped.

Ms. Kyo, whose dedication to her craft left Akira Kurosawa “speechless,” rose to fame during an extraordinarily creative period in Japanese filmmaking.

The director Chad Stahelski narrates a sequence from “John Wick: Chapter 3 — Parabellum,” featuring Keanu Reeves, Yayan Ruhian and Cecep Arif Rahman.

Stefon Bristol’s film imagines what “Back to the Future” might look like with a black cast. The stakes turn out to be significantly higher.

The director, who is president of the Cannes Film Festival jury, says both the film industry and Netflix need to think bigger.

The supercharged third installment of the hyper-violent franchise is staggeringly accomplished and wearyingly soulless.

The Japanese director Ryusuke Hamaguchi follows up his marathon “Happy Hour” with a story of love among young urbanites.

Colonists aboard a spaceship fleeing a ruined Earth encounter unrelenting tragedy in this tastefully mounted but punishing film.

The film is based on the case of Cameron Todd Willingham, who was put to death in Texas in 2004.

With the new comedy from Olivia Wilde, the movie mainstream is finally ready to tell jubilant stories about teens who happen to be lesbians.