There are plenty of reasons not to stage a live, nationally televised performance of Rent in 2019. Though inspired by the timeless Puccini opera La Bohème, the 25-year-old story hasn’t exactly aged well—it’s a relic of an era when HIV was presumed to be a death sentence; when selling out was a sin (rather than an impossibility) for young artists; when pop culture rarely made space for LGBT identities; and when a playwright could get away with making two straight, white men the heroes of a show about gentrification and AIDS.