Ideally, we should be able to view remakes as their own creatures, independent organisms with their own blood coursing through their veins. But we’re only human, and if we’ve seen the original version of a picture, a new one can seem instantly substandard, the memory of the first showing through like bones on an X-ray. That’s the problem—or one of many problems—with Downhill, an English-language reworking of Swedish director Ruben Östland’s 2014 chilly family semi-comedy Force Majeure.

 

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