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Review: A Disjointed Revival of Shaw’s Satirical ‘Heartbreak House’

The play, set in 1914, is staged as if in a London air-raid shelter in 1940. It’s an ungainly frame for this crisp comedy.

 

Review: Nature and Song Bring Electricity to ‘Gospel at Colonus’

With its focus on exiles finding protection and outcasts earning redemption, this revival of the 1983 production feels more timely than ever.

 

2018 Festival Albertine to Explore Democracy and Its Future

Masha Gessen has organized six panels on the theme of reimagining democracy that cover topics like “A Post-Work World.”

 

The Week in Arts: Childish Gambino, Eddie Izzard, Gael García Bernal

See Donald Glover as his musical alter ego before he makes good on his promise of retiring it; and watch Eddie Izzard as he workshops new material.

 

A Birthday Tribute to the Other Ingmar Bergman

A theater festival presented works he directed, stage adaptations of his films, and creations he influenced. Even a “Seventh Seal” for kids.

 

Fiction: In Yasmina Reza’s Novel, a Dinner Party Descends Into Chaos — and Then Tragedy

In “Babylon,” the prizewinning French playwright and author explores the dark undercurrents of domesticity and marriage.

 

It May Be Home, but It’s No Sanctuary

In the most promising plays opening this fall, the family drama opens its living room to an invasion of political anxieties.

 

Review: In ‘Private Peaceful,’ a Night of Memories and a Death at Dawn

A solo show about a World War I soldier counting down the hours to his execution for cowardice.

 

‘Beetlejuice’ Is Bringing Its Unholy Struggle to Broadway

The “Beetlejuice” musical is adapted from Tim Burton’s 1988 comedy about the living and the dead vying for control of a haunted house.

 

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