Photographers have long been trained to approach their subjects from the front. But in a new exhibition at the Pace/MacGill Gallery in New York, each portrait curiously has its vantage point set from behind. What it uncovers is a long overlooked tradition of portraiture that flirts with the power of mystery and provokes questions over an often-neglected feature: the back. “The architecture of the back is phenomenally interesting and beautiful,” says Peter MacGill, the founder and president of Pace/MacGill Gallery and the show’s main curator.

Topics:  new york   peter macgill   david   goldblatt&rsquo   dressed   photographs   take richard   benson&rsquo   forillon park   gaspe   gowin&rsquo   chincoteague   virginia   nicolas   nixon&rsquo   sam   arles   paulsen&rsquo   katonah   ghandi   hujar&rsquo   bent neck   august   ye ming   time   lightbox   twitter   instagram   pace/macgill gallery    the   macgill   a   peter   gowin   edith   filled   questions   front   mystery   long   subjects   element   simply   guy   picture   profound   identity   don   exhibition   suit   deep   subject   

 

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