It takes flair to concoct visual-gag-after-visual-gag within episodic riffs on the raw deals suffered by the gig-economy-classes in modern day Bucharest. Radu Jude blends absurdist humor with keen social integrity, like a sharper Romanian riposte to Ruben Östlund, as the trials of a dangerously overworked production assistant named Ange (Ilinca Manolache, sensational) builds to a 40-minute final shot in which tragicomedy is heaped upon tragicomedy to unbearably brilliant effect. Observing a nation’s shortcomings is not typically this fun.