Christy Hall's two-hander offers brief moments of honesty and insight, but too much of it feels as airless and artless as the worst of cab rides.
Kate Erbland, IndieWire
Wed, 06/26/2024 - 7:30am
Christy Hall's two-hander offers brief moments of honesty and insight, but too much of it feels as airless and artless as the worst of cab rides.